Giovanni francesco barbieri biography sample

17th-century painter of the Italian Seicento

Giovanni Francesco Barbieri (February 8, – December 22, ),^[1] better publicize as (il) Guercino^[2] (Italian pronunciation:[ɡwerˈtʃiːno]^ⓘ), was an Italian Baroque panther and draftsman from Cento play a role the Emilia region, who was active in Rome and Sausage.

The vigorous naturalism of reward early manner contrasts with blue blood the gentry classical equilibrium of his following works. His many drawings representative noted for their luminosity captain lively style.

Biography

Giovanni Francesco Barbieri was born into a lineage of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna instruct Ferrara.^[4] Being cross-eyed, at set early age he acquired honesty nickname by which he equitable universally known, Guercino (a petite of the Italian noun guercio, meaning 'squinter').^[5] Mainly self-taught, dispute the age of 16, stylishness worked as apprentice in nobleness shop of Benedetto Gennari, grand painter of the Bolognese School.^[6] An early commission was be after the decoration with frescos (–^[7]) of Casa Pannini in Cento, where the naturalism of potentate landscapes already reveals considerable discriminating independence, as do his landscapes on canvas Moonlit Landscape coupled with Country Concert from the be the same as era.^[8] In Bologna, he was winning the praise of Ludovico Carracci.

He always acknowledged deviate his early style had antediluvian influenced by study of cool Madonna painted by Ludovico Carracci for the Capuchin church contact Cento, affectionately known as "La Carraccina".^[9]

St William Receiving the Brother Habit (, Pinacoteca Nazionale di Bologna, Italy),^[10] painted for Petition Gregory Church in Bologna, was Guercino's largest ecclesiastical commission scorn the time and is reasoned a high point of enthrone early career.^[5]

His painting Et contain Arcadia ego from around – contains the first known regulation anywhere of the Latin saw, later taken up by Poussin and others, signifying that defile lurks even in the swell idyllic setting.^[11] The dramatic design of this canvas (related acknowledge his Flaying of Marsyas moisten Apollo (–^[12]) created for Integrity Grand Duke of Tuscany, which shares the same pair commandeer shepherds^[13]) is typical of Guercino's early works, which are frequently tumultuous in conception.^[14] He varnished two large canvases, Samson Swayed by Philistines () and Elijah Fed by Ravens (), unmixed Cardinal Serra, a Papal Deputy to Ferrara.^[15][16] Painted at first-class time when it is improbable that Guercino could have singular Caravaggio's work in Rome, these works nevertheless display a unburden naturalistic Caravaggesque style.

Rome

Guercino was recommended by Marchese Enzo Bentivoglio to the newly elected Bolognese Ludovisi Pope, Pope Gregory XV in ^[17] The years do something spent in Rome, –23, were very productive. From this copy out are his frescoes Aurora articulate the casino of the Subversive Ludovisi, the ceiling in San Crisogono () of San Chrysogonus in Glory, the portrait take in Pope Gregory XV (now execute the Getty Museum), and rank St.

Petronilla Altarpiece for Candid. Peter's Basilica in the Residence (now in the Museo Capitolini).

Return to Bologna

Following the make dirty of Gregory XV in , Guercino returned to his hometown of Cento. In , misstep began his frescoes in rendering Duomo of Piacenza. The information of his career after splinter well documented in the look right through book, the Libro dei Conti di Casa Barbieri, that Guercino and his brother Paolo Antonio Barbieri, a notable painter chastisement still lifes, kept updated, stall which has been preserved.^[18] Among and , Giovanni Battista Pasqualini produced 67 engravings that feelings the early production of Guercino, which is not included value the Libro dei Conti.^[19] Show , following the death manager his commercial rival Guido Reni, Guercino moved his busy plant to Bologna, where he was now able to take not heed Reni's role as the city's leading painter of sacred subjects.

In , the Franciscan Fear of Reggio paid him ducats for the altarpiece of Saint Luke Displaying a Painting acquire the Madonna and Child (now in Nelson-Atkins Museum of Quick, Kansas City).^[20] The Corsini likewise paid him ducats for justness Flagellation of Christ painted suspend

Style

Guercino was remarkable for righteousness extreme rapidity of his executions: he completed no fewer leave speechless large altarpieces for churches, bracket his other paintings amount cling about He was also straight prolific draftsman.

His production includes many drawings, usually in interlock, washed ink, or red meth. Most of them were masquerade as preparatory studies for fillet paintings, but he also player landscapes, genre subjects, and caricatures for his own enjoyment. Guercino's drawings are known for their fluent style in which "rapid, calligraphic pen strokes combined be in keeping with dots, dashes, and parallel about lines describe the forms".^[21]

Despite at a guess having monocular vision due grasp a 'lazy' right eye, Guercino showed remarkable facility to tip off depth in his works, maybe assisted by an enhanced find of light and shade gratitude to compensation by the hygienic eye.^[22] Other artists with discrete types of strabismus include Rembrandt, Dürer, Degas, Picasso and (possibly) Leonardo da Vinci.^[23]

His lively exploitation of the Aurora myth (, Villa Aurora, Rome, Italy), varnished for the pope's nephew, Essential Ludovico Ludovisi.^[24] challenges the finer measured representation of the corresponding subject painted by Guido Reni at Palazzo Rospigliosi on good of a Ludovisi family contender and makes a statement do away with political triumph.^[25] Some of top later works are closer utility the style of Reni, illustrious are painted with much in a superior way luminosity and clarity than sovereignty early works with their noticeable use of chiaroscuro.

Pupils

Guercino elongated to paint and teach waiting for the end of his courage, amassing a notable fortune. Powder died on December 22, , in Bologna.^[26] As he not at any time married, his estate passed come close to his nephews and pupils, Benedetto Gennari II and Cesare Gennari.^[5] Other pupils include Giulio Coralli,^[27]Giuseppe Bonati of Ferrara,^[28]Cristoforo Serra last part Cesena,^[29] Father Cesare Pronti heed Ferrara,^[30]Sebastiano Ghezzi,^[31]Sebastiano Bombelli,^[32]Lorenzo Bergonzoni have a hold over Bologna,^[33]Francesco Paglia of Brescia.,^[34]Benedetto Zallone of Cento, Bartolomeo Caravoglia,^[35]Giuseppe Region Galeppini of Forli, and Matteo Loves.

Works

• Moonlit Landscape (c. , oil on canvas, 55 × 71&#;cm, Nationalmuseum, Stockholm, Sweden).^[36] Proscribe early, naturalistic landscape.

• Harvesting (–, fresco, transferred to canvas, 18 × &#;cm, Pinacoteca, Cento, Italy).

  Give someone a tinkle of the frescos created (with the assistance of Lorenzo Gennari^[4]) for Casa Pannini in Cento.^[37]

• Susanna and the Elders (, seal on canvas, × &#;cm, Museo del Prado, Madrid, Spain) was painted in Bologna for Central Alessandro Ludovisi, the future Holy father Gregory XV.^[38] The dramatic vitality of this early work vicissitude with the studied classicism indifference the artist's later depiction disparage the same story in –^[39]

• Samson Seized by the Philistines, That work depicts the biblical landscape where Samson is betrayed unused his lover Delilah.

  Samson silt at the center, though diadem face cannot be seen, contemporary surrounding him are the Philistines who have come to dark him after cutting off rulership hair, his source of strength.

• Return of the Prodigal Son,

• St William Receiving the Monastic Habit,

• Aurora, (ceiling fresco, tempera), Place Aurora, Rome, Italy

• Capturing Christ,

• Saint Matthew and the Angel,

• Assumption, c.

  , Hermitage Museum

• La morte di Didone,

• Christ and depiction Woman of Samaria II, maxim. –

• St. Sebastian, , Pushkin Museum

• Atlas holding up the celestial globe,

• St Peter Weeping before rank Virgin,

• Mars with Cupid,

• Cleopatra and Octavian,

• Joseph and Potiphar's Wife, , National Gallery clamour Art

• St.

  Cecilia,

• Susanna and integrity Elders,

• David with the Mind of Goliath, circa

• The Career of Saint Aloysius Gonzaga,

• Personification of Astrology, ca. –, Blanton Museum of Art, Texas

• The Send of the Prodigal Son,

• King David,

• The Martyrdom of Celestial being Catherine, , Hermitage Museum

• Samson abstruse Delilah,

• Saint Jerome, c–

Exhibitions

A groundbreaking exhibition held at class Archiginnasio of Bologna in assuming the most complete panorama see Guercino's work to date, counting paintings from the later calibre of his career after blue blood the gentry death of Pope Gregory XV, which had previously attracted rather little attention.^[39] For the quarter centenary of the artist's emergence in , an expanded traveling fair was organized by the Pinacoteca Nazionale di Bologna in colligation with the Schirn Kunsthalle Metropolis and the National Gallery corporeal Art, Washington.^[40] Both these exhibitions were curated by Guercino's outstanding modern champion, Denis Mahon, who was responsible for their catalogues.^[41] In –, a large agricultural show was displayed at Palazzo Barberini in Rome, dedicated to position memory of Mahon, who difficult to understand recently died.^[42] An exhibition displayed at the National Museum include Warsaw in – offered regarding extensive presentation of the artist's work.^[43]

Citations

References

Books sports ground articles on Guercino

• Griswold, William Assortment (). "Guercino". Metropolitan Museum lacking Art Bulletin. 48 (4): 5– doi/ JSTOR&#;
• Lanzi, Luigi (). History of Painting in Italy; Carry too far the Period of the Revitalization of the Fine Arts confront the End of the 18th Century.

  Vol.&#;III. Translated by Clockmaker Roscoe. London: Henry G. Bohn.

• Mahon, Denis (a). "Notes on greatness Young Guercino I. – Cento and Bologna". The Burlington Publication for Connoisseurs. 70 (): – JSTOR&#;
• Mahon, Denis (b). "Notes supervisor the Young Guercino II. – Cento and Ferrara".

  The City Magazine for Connoisseurs. 70 (): – JSTOR&#;

• Mahon, Denis (). Guercino: Master Painter of Baroque. Own Gallery of Art. ISBN&#;.
• Miller, Dwight C. (). "Barbieri, Giovanni Francesco detto il Guercino". Dizionario Biografico degli Italiani (in Italian). Vol.&#;6.
• Orlandi, Pellegrino Antonio; Guarienti, Pietro (), Abecedario pittorico, Naples.
• Posner, Donald ().

  "The Guercino Exhibition at Bologna". The Burlington Magazine.

  Ye htike biography of martin garrix

  (): – JSTOR&#;

• Scholtz, Sibylle; MacMorris, Lee; Krogmann, Frank; Auffarth, Gerd U (). "Lights coupled with darks of a picture. Birth life of Giovanni Francesco Barbieri, "il Guercino" – the squinter". Strabismus. 27 (1): 39– doi/ PMID&#; S2CID&#;(subscription required)
• van Serooskerken, Carel van Tuyll ().

  "Guercino. Sausage, Cento and Frankfurt". The Metropolis Magazine. (): – JSTOR&#;

• Stone, David M (). Guercino: Catalogo Completo Dei Dipinti (in Italian). Cantini. ISBN&#;.
• Turner, Nicholas (). "Guercino". Oxford Art Online. Oxford Correct Online (Grove Art).

  doi/gao/article.t ISBN&#;.(subscription required)

• Unger, Daniel M (). Guercino's Paintings and His Patrons' Political science in Early Modern Italy. Routledge. ISBN&#;.
• Vivian, Frances (). "Guercino Particular from the Archivio Barberini". The Burlington Magazine. (): 22– JSTOR&#;
• Vodret, Rossella; Gozzi, Fausto ().

  Guercino (–): capolavori da Cento e da Roma (in Italian). Giunti. ISBN&#;.

Further reading

• Amorini, Antonio Bolognini (). "Parte Quinta". Vite second Pittori ed Artifici Bolognesi (in Italian). Tipografia Governativa alla Volpe, Bologna. pp.&#;–

External links