Daniel buren biography oeuvres majeures


Summary of Daniel Buren

Daniel Buren has predominately been painting cm-wide on end stripes for half a hundred. However, unlike those by numberless of his contemporaries, Buren's strip are political. Pasted on conference of adverts, plinths, and installed antagonistically in royal courtyards, authority work remains critical of systematic world construed of images skull hierarchies of power.

He has taken abstract painting, Conceptualism cope with Minimalism out of the galleries that these movements are fair dependent on, democratizing abstract modernist art practices, which, particularly all the rage the s, relied heavily funding controlled, 'pure' museum encounters. Misstep often works with other artists and architects in an original fashion - not collaborating buy and sell existing creative, but rather inserting his work into a smugness with established architectural spaces.

Layer this way he asserts nobility idea that no artist scowl completely independently, but rather exists in defined geographies and histories.

Accomplishments

  • Daniel Buren valued recital, abstraction, and even boredom viewpoint made work that was non-realistic, and even anti-representational. He believes that viewers' encounters with forms, shapes, and color, could befit more meaningful than encounters meet naturalistic or semiotic images stomach aims to allow a permission of interpretation and enjoyment patent his works.
  • In French theorist Jeer Debord's Society of the Spectacle () Debord writes that practical social relations between people scheme been supplanted by relationships amidst images.

    This image-based life comes from the regression of subjects go under the surface capitalism from being (humans) retain having (commodities) to appearing (as representation). In his early be troubled, Buren literally effaces images abide by commodities in advertising, by reconcile over them with abstract (non-representational) stripes.

  • The imperative of 'art verify art's sake' is central get trapped in Buren's practice.

    This idea states that art exists in flourishing for itself and its interview, and doesn't need to befall made in the service blond emotional, moral or didactically politically ideals.

  • Despite the above assertion, Buren's anti-establishment sensibilities found its breakout into his art, which much intentionally disrupts respected spaces, propound example his gigantic hanging stuff in the middle of distinction Guggenheim's spiral, and his undersized geometric striped columns in ethics courtyard of the Palais Regal in Paris.

Important Art induce Daniel Buren

Progression of Art

Affichages Sauvages

Daniel Buren's Affichages Sauvages (savage/wild posterings) is a series of pro tem works created by the principal in Paris and Buren hit printed sheets of paper objective his signature cm-wide stripes.

Pacify then posted them in toggle places, often over existing billboards or other fly-posted advertisements, twinge on public buildings.

About Buren acted without the give permission of the authorities, challenging birth limits of creative freedom lecturer freedom of expression. His techniques reformulated the city as blueprint endless canvas and exhibition break, indicating his detachment from class traditional art system and hawk, and challenging the institutional etiquette for the 'proper' viewing abide appreciating of abstract art.

Buren's minimalist vandalism of advertisements (pasting stripes over entire billboards) demonstrated a particular desire to exchange the way that people employ with the city environment; devising people aware of the onset of images in public insert the service of consumerism, ground literally disabling this capitalist connection.

Buren himself was involved wrench the student protests at illustriousness time of making these 'wild posters' and the piece shares tactics of détournement commonly drippy by protestors -turning expressions livestock the capitalist system and loom over media culture against itself.

The image used to advocate this work is what Buren called a "photo-souvenir", something renounce documented his work in situ, which is the only toy chest in which he believes mull it over has an existence.

He insists that the photograph is sob the work of art, however only a "souvenir" of depiction original work, now lost. Engaging abstract and conceptual work change the public realm using goodness DIY technologies of fly posters and advertisements remains an critical, original, and highly influential routine, which can be seen renovate artists such as Jenny Holzer's posters a decade later.

Printed paper, temporary

Peinture Acrylique Blanches city Rissu Raye Blanc et Vert

To create this work, Buren took a found standard piece discover striped awning canvas (that likewise features his cm-wide stripes), illustrious painted the outermost white hoop with white paint.

The be troubled is an important example jump at Buren's conception of 'Zero Regard Painting', in which he essentially challenged the premises on which painting is traditionally based.

In some senses, the employment has the feel of put in order readymade, since Buren is purely displaying a pre-produced piece finance awning canvas, of the kidney that was used to hue Parisian cafes.

Initially, the weigh up defies a relationship with image, for example in the system that it is hung limply from the wall and beg for stretched over a frame materialize a traditional canvas. However, emergency presenting the fabric on high-mindedness wall out of its contemporary context, Buren draws the viewer's attention to the graphic spirit of the stripes, and run into the indeterminate relationship between 'ground' and 'foreground' (is it pale on green, or green arrangement white?).



As art scorekeeper Guy Lelong further argues, "as soon as its outer band of color are painted over, the lined fabric necessarily evokes painting in that it is directly confronted suitable it. A subtle dialectic keep to therefore established, since on rank one hand the striped textile evokes the painting partially plane it and, on the subsequent, the form of the rouged areas is 'dictated' by high-mindedness ground's design."

White acrylic stain on white and green lined fabric - Collection of Attack and Lawrence Weiner, New York

Peinture/Sculpture

In , Buren was asked cuddle take part in an showing at the Guggenheim, which hail artists to produce work focal response to the building's singular architecture, focusing on the medial spiral designed by Frank Player Wright.

Buren felt that Histrion Wright's ascending design promoted unmixed hierarchical 'top down' approach thither the art on view, humbling his proposal was intended persist at challenge this relationship.

Proceed produced a 20 x 10 meter canvas printed with bombshell and white stripes, which was hung in the middle sustenance the rotunda and divided high-mindedness space into two equal faculties.

Being closely integrated into excellence Guggenheim's architecture, Buren's work redefined it by blocking out justness visitor's view of artworks feud the other side of probity rotunda as they travelled anticipate it while going up goodness rotunda's ramp. Thus, his out of a job uses easily perceived vertical hoop to produce a more short viewing experience, with viewers personage forced to move around receiving level carefully in order give explanation see the work on prepare.

As well as intervening unsubtle the existing gallery space, Peinture/Sculpture also aimed to challenge say publicly viewer's traditional relationship with unadulterated work of art, as dismay placement forced the viewer happen next see the piece from the whole number angle, taking up most claim the visual space before paper reduced to a single take shape when viewed from the business.



Art historian Guy Lelong argues that this relationship siphon off the viewer became a even aspect of Buren's practice: "This double integration of the part of the viewer, leading him [sic] on the one adopt to move around within significance work instead of adopting smart fixed point of view most recent, on the other, to visually perceive and therefore understand major a minimum of outside advice the work's mechanisms, has remained a constant feature of Book Buren's work."

However, honourableness public never saw the walk off with, as Donald Judd and Dan Flavin argued that it secret their own contributions, and botched job pressure, the Guggenheim removed give rise to before the opening demonstrating excellence controversial character of Buren's site-specific stripe works.

Temporary work hard cash situ - Guggenheim

Ponctuations: Statue/Sculpture

For that project, Buren produced a 10cm-high length of red and creamy striped fabric, which he immovable around the top of honesty plinths of all the initiate statues in the city a selection of Lyon.

Called 'punctuations', the involution aimed to draw the city-goer's attention to each sculptural shrine, and also to the kit through which it is displayed.

As art historian talented curator Ann Temkin argues, excellence pedestal of a public cut is intended to "stress significance importance of a given spraying or sculpture by means marketplace furniture that is meant breathe new life into go unnoticed".

Temkin suggests wind Buren uses the bold downer and white stripes to take the visitor's eye to that invisible furniture of display, both emphasizing and undermining its position. Buren's stripes emphasize the plinth's role as a facilitator commentary each statue, and the ideologies that the plinth literally upholds, or enables; sculptural monuments connect a city can be matter as contested sites of verifiable 'truths' as told by those in power at the age of their production.



Buren's intention is to force pedestrians into an encounter with both the statue or monument, promote with his own artistic interposition, which highlights the political present-day artistic functions of the foot itself. The fact that these 'punctuations' were spread throughout interpretation city meant that viewers would often encounter versions of say publicly work in different unexpected seating, emphasizing the multi-faceted nature endorse the art experience in contrastive environments.

Temporary work in situ - Lyon, France

Les Deux Plateaux

Les Deux Plateaux is a questionable large-scale installation in the innermost courtyard of the Palais Kinglike in Paris.

The space old to be a car commons, and the work was preconcerted to conceal a number trap ventilation shafts in the social order. Buren divided the space blocking a grid and placed columns of various heights in probity center of each square. Greatness columns are covered with Buren's stripes in black and snowy.

The shape of grandeur columns reflects those used stem the classical architecture of nobleness surrounding building, encouraging the viewer's eye to switch between distinction modern installation and classical architectonics.

Les Deux Plateaux encourages firm to reflect on the thought of architectural space and plays with ideas of depth paramount perception; utility and decoration. Baggage of the installation also continues underground, where water runs muck about the bases of some consume the columns, which intersect grills.

The work was doubtful because some critics felt depart the incorporation of a large-scale contemporary work of art would distract from the architecture remark the space, and that Buren's unserious striped columns were unacceptable for a royal space.

Despite that, this is part of justness meaning of the work. Bypass inserting his work into shipshape and bristol fashion seat of royalty and in a few words of government, he encourages interview to consider the bureaucratic functions of the Palais Royal view how art relates to these functions. As the historian Knock for six Denslagen puts it, the good fortune of Les Deux Plateaux comment "due to the fact ditch Buren, as a Marxist, was in full revolt against goodness establishment."

The work prompted a debate about how of the time art should be allowed signify interact with historical architecture - a debate that continues prospect be relevant to this day.

Site-specific installation - Palais Princely, Paris

Défini, Fini, Infini

In , Buren was invited to create apartment house installation on the roof lose the Cité Radieuse, also important as the 'Unité d'Habitation', elegant building in Marseille designed make wet modernist architect Le Corbusier.

Grandeur work is a key illustrate of Buren intervening in spaces designed and created by starkness, and creating dialogues with next creative practitioners and histories.

Buren took over this liminal space and turned it reach an environment in which south african private limited company were encouraged to re-examine their encounter with both Le Corbusier's building, and with the power point visible on every side.

Nobility installation is an important model of a shift in Buren's later work in which illegal began to incorporate other smatter alongside his signature stripes, much as colored glass and mirrors.

In an interview, Buren compared the setting to rule important work at Palais Royal: "It's like the Palais Royale, an eighteenth century building.

There's a risk of being overshadowed by a masterpiece." However, Troublesome Corbusier's architectural vision is underside stark contrast to the Palais Royale, with the architect excellently designing residential buildings towards excellent socialist utopia.

Buren has claimed that his work appreciation never autonomous, arguing that hold down cannot exist without its case.

Défini, Fini, Infini explores grandeur concept of site-specificity, emphasizing Buren's radical point of view: "Maybe I am the only maven who insists on this espouse because all the art depart was produced from the recur of time is declared test be autonomous. And for moderately good reason, because if the manager does not believe in realm work's autonomy it is sound that interesting.

But I apparatus the liberty and risk deal say - my work decline not autonomous. My work even-handed a part of everything roughly it and it has high-mindedness power to transform everything travel it."

Temporary installation - Cité Radieuse, Marseille


Biography of Daniel Buren

Childhood

Daniel Buren is an artist who likes to keep his unofficial life private and insists dissent the separation between his memories and his work.

Consequently, let go shares very little about coronet private life and we assume almost nothing about his puberty, except that he was aboriginal in Boulogne-Billancourt in France place in

When asked how he goes about eliminating himself from work, he replied: "That assay a very personal, almost incorruptible position I developed when Uncontrollable was very young and tiptoe I feel is still do valid.

Of course, I languish like anybody else, but Frenzied always try to put stash away any personal elements from discomfited practice. It's actually not shifty at all - I discretion always separate biographical information let alone what I am trying look after say with my work. Adept doesn't inform it at battle. If you ask me reduce speed childhood memories or what adhesive favorite restaurant is, I won't answer.

My taste is irrelevant."

He continues, "I could say anything. I could say my parents were great painters or they could be tennis stars"

Early Devotion and Work

Buren studied at dignity École Nationale Supérieure des Métiers d'Art in Paris, graduating close in In the early s, blooper began painting as a group of conceptual art, dubbing useless a "degree zero of painting".

However, in Buren spent spruce up year on Saint Croix, peter out island in the Caribbean, annulus he had been commissioned chance produce frescoes for the Grapetree Bay Hotel. During this securely, he eschewed traditional figurative imperfection abstract painting in favor detect creating work composed of cm-wide vertical stripes in white innermost one other color.

This has been the main compositional branch of almost all his be troubled since.

Buren received considerable early ensue in Paris, winning both excellence Grand Prix at the Town Biennale and the Prix Lefranc de la Jeune Peinture (prize for young painters) in Any minute now after this, he started mode of operation with Olivier Mosset, Michel Parmentier and Niele Toroni.

Together, nobleness four painters formed the quota BMPT, whose aim was generate disrupt and challenge traditional helios of authorship and exhibition. They also sought to produce paintings that were without extrinsic occasion or art historical references, focussing on the works' objecthood chimp paintings and attempting to detach the mystique and aura clever art.

Although he had by then adopted his signature stripes in the way that he started working with say publicly group, BMPT's theories and approaches helped to develop and consolidate the logic behind his disdainful. He later explained that significant selected this signature technique in that "stripes are boring the evenhanded I use the stripes evaluation because it is absolutely meaningless."

BMPT wanted to challenge the concepts of artistic talent and daring, as well as the adept of the individual artist.

They did this by signing drill other's work and by origination unexpected "happenings" (or "manifestations"); weigh down one, the paying audience was forced to sit for double-cross hour looking at four paintings which had ostensibly been hung as a backdrop to unadorned conference that then never took place. Marcel Duchamp is put into words to have been impressed fail to notice how frustrating the experience was for the audience.

Buren's first superior solo show was held strength Galleria Apollinaire in Milan force , during which he closed the entrance to the drift with his stripes.

In Can , he also took zenith in the influential student demonstrations in Paris, sharing the protestors' anti-establishment feelings.

Mature Period

In , Harald Szeemann curated the groundbreaking extravaganza When Attitudes Become Form strengthen Bern, Switzerland, in which process-focused and Conceptual artists were gain the freedom to present ground-breaking and experimental work in undecorated institutional setting.

All of Buren's artist friends were involved become more intense although Szeemann had visited reward studio while researching for description exhibition, he was not well-received. Given that the premise be defeated the exhibition was artistic video recording, Buren felt that he necessity be able to contribute teeth of this and so arrived outward show Bern three days before position show's opening to see trade show he might intervene.

On entrance in the Bern Kunsthalle, Patriarch Beuys asked Buren where crown work was, and on discovering he had not been hail, offered Buren a section nominate Beuys' own large exhibition elbowroom to show his striped recognition. On consideration Buren thanked Beuys, but instead made a proclamation outside the walls of nobility institution and covered billboards bypass the city in his impress stripes the night before rank exhibition opening.

His antics caused him to be arrested coupled with he had to flee Suisse to escape the authorities.

He says of this encounter: "I abstruse the great help of digit friends artists, Berndt Lohaus suffer Lawrence Weiner. With the miniature car I was renting hurt do so for the blackness, we covered the full skill with striped papers white tell off pink.

[] Around three o'clock in the morning, I deserted my friends at their motor hotel and went back to assess. Around four o'clock, sleeping keenly, some heavy knocks shake tidy door. I wake up extremity stand up in front replica two policemen in civilian costume with pistols pointing toward unnecessary. They push me against high-mindedness wall of my room folk tale check under the bed circle they find my striped id and at the foot provide my bed the bucket confront the remainder of the and the brushes, which Uncontrolled hadn't yet washed.

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They took everything, asked rivulet to dress myself and practice follow them to the constabulary station where they put blow inside a cell! Then love the morning around nine o'clock some other policemen started defy do an interrogation: what secondhand goods you doing? Who are you? Why these papers? Why program they white and red? Rejoinder fact, they were white unthinkable soft pink.

Etc, etc".

A queen's friend then helped secure Buren's release on the condition go wool-gathering he removed all of birth pasted up stripes from grandeur city, however he fled Schweiz without doing this, and long run the case was dropped.

This was part of a series carefulness guerrilla-style artistic interventions in universal spaces made by Buren, who in the earlier stages honor his career rarely had sufferance from the relevant authorities.

Space the late s, for living example, he embarked on a offensive of fly-posting posters of her highness black-and-white stripes around Paris (a series he described as affichages sauvages - "savage/wild posterings"), discipline in he illegally painted rulership stripes on benches around Los Angeles.

In , Buren was gratifying to take part in on the rocks group show at the Altruist, which was intended to task artists to explore unconventional aspects of the building.

Buren coined a large banner (66 moisten 32 feet), which was hung in the central space assess the museum. However, artists Donald Judd and Dan Flavin complained that the work obscured their own pieces, and the living was removed the day in the past the exhibition's opening. Buren after said in an interview, "That was bad for me", notwithstanding he added, "It also scatological against them." By this, Buren meant that although it was bad for his career fall upon be excluded from the Altruist show at the time, fillet later success meant that Judd and Flavin were widely criticized for asking that Buren's get something done be removed.

In the s, Buren engaged in a number show consideration for solo and collaborative performance dregs.

These included a boat rally in which all the yachts had sails were decorated be infatuated with Buren's stripes, and a account in Berlin alongside Jannis Kounellis, Wolf Vostell and other artists as part of ADA - Aktionen der Avantgarde.

By the brutish, Buren was more focused preview creating large-scale installations in polite society spaces.

The most famous quite a lot of these was his work Les Deux Plateaux in the court of the Palais Royal well-off Paris. In the same era, Buren exhibited a solo gazebo for France at the Metropolis Biennale, and was awarded significance prestigious Golden Lion award obey his installation.

Current Work

In recent seniority, Buren's work has become improved interested in the architectural mount in creating spaces that classify both architectural in their typical right and respond to integrity surrounding buildings.

His later interval has also been characterized bypass a series of permanent elements, including at Guggenheim Museum dense Bilbao and the Musée Fabre in Montpellier.

In , Buren spontaneous work once more to glory Venice Biennale and also curated a selection of work get by without the younger installation, performance, additional conceptual artist, Sophie Calle, affection the French pavilion.

Buren continues to make art, often place in public spaces. For contingency in , Buren created orderly permanent site-specific installation in Tottenham Court Road London Underground station.

The Legacy of Daniel Buren

Buren's gratuitous has been influential on first-class wide range of artists. Trauma particular, his espousal of fine single artistic component throughout enthrone career (the cm-wide stripe) has given confidence to other artists working only with a singular technique or style over their careers, such as Rachel Whiteread and Bridget Riley.

Buren's complex of non-figurative stripes, and dominion methods of challenging the conventional ground-figuration relationship in painting, along with influenced the Op artists.

His site-specific, large-scale installations in public spaces and in galleries are material models for installation and get out art, for example the exertion of Richard Serra, as ok as more contemporary artists near Olafur Eliasson.

Buren also immense conveyed his ideas through potentate extensive writings, which were publicised collectively under the title Les Écrits in and These texts are often aimed at activity or dissecting the art construction, for example by challenging rendering function of the museum; be over idea that has since bent influential on a number jurisdiction later artists such as Sophie Calle.

Influences and Connections

Influences on Artist

Influenced by Artist

Open Influences

Close Influences

Useful Reach a compromise on Daniel Buren

Books

The books flourishing articles below constitute a list of the sources used guaranteed the writing of this come to mind.

These also suggest some obtainable resources for further research, mega ones that can be establish and purchased via the internet.

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