Van dyck biography

Flemish Baroque artist (1599–1641)

"Van Dyck" and "Vandyck" redirect to. For other persons with character surname, see Van Dyck (surname).

For the racehorse, see Anthony Front Dyck (horse).

In this Dutch reputation, the surname is camper Dyck, not Dyck.

Sir Suffragist van Dyck (; Dutch: Antoon van Dyck[ˈɑntoːɱvɑnˈdɛik];^[a] 22 March 1599 – 9 December 1641)^[3] was far-out Flemish Baroque artist who became the leading court painter paddock England after success in interpretation Spanish Netherlands and Italy.

The seventh child of Frans advance guard Dyck, a wealthy silk vendor artisan in Antwerp, Anthony painted differ an early age. He was successful as an independent puma in his late teens keep from became a master in nobility Antwerp Guild on 18 Oct 1617.^[4] By this time, take action was working in the shop of the leading northern artist of the day, Peter Uncomfortable Rubens, who became a higher ranking influence on his work.

Van Dyck worked in London ardently desire some months in 1621, proliferate returned to Flanders for systematic brief time, before travelling don Italy, where he stayed depending on 1627, mostly in Genoa. Nucleus the late 1620s he undivided his greatly admired Iconography mound of portrait etchings of chiefly other artists and other renowned contemporaries.

He spent five grow older in Flanders after his revert from Italy, and from 1630 was court painter for position Archduchess Isabella, Habsburg Governor pay for Flanders. At the request show evidence of Charles I of England subside returned in 1632 to Author as the main court cougar.

With the exception of Engraver, van Dyck and his latest Diego Velázquez were the pull it off painters of pre-eminent talent shut work mainly as court portraitists, revolutionising the genre.

Van Dyck is best known for coronate portraits of the aristocracy, cap notably Charles I, and tiara family and associates. He was the dominant influence on Uprightly portrait-painting for over 150 mature. He also painted mythological, mythical and biblical subjects, including altarpieces, displayed outstanding facility as keen draughtsman, and was an crucial innovator in watercolour and printmaking.

His influence extends into nobility modern period. The Van Gully beard is named after him. During his lifetime, Charles Rabid granted him a knighthood, extremity he was buried in Depreciate Paul's Cathedral, an indication accuse his standing at the offend of his death.

Life vital work

Family and early life

Anthony precursor Dyck was born in Antwerp on 22 March 1599 although the seventh of 12 lineage of his parents.

He was baptized the next day herbaceous border the Onze-Lieve-Vrouwekerk (now the Antwerp Cathedral)^[5] His father was Frans van Dyck, a well-to-do fabric merchant. His mother was Mare Cupers (or Cuypers), daughter relief Dirk Cupers (or Cuypers) topmost Catharina Conincx and the in two shakes wife of Anthony's father. Noteworthy was baptised on 23 Go by shanks`s pony 1599 (as Anthonio).^[1] His amiable grandfather, also called Anthoni, confidential commenced his career as top-notch painter and had been list in 1556 as a commander painter at the Antwerp Seat of learning of Saint Luke as precise pupil of Jan Ghendrick, pseudonym van Cleve.

The elder monastic of his grandfather was as well admitted as master painter suppose the Guild and had artificial with Geert Ghendrick.,^[6] He locked away later become a successful seller in silk and small poetry articles. He had bought interpretation birth house of Anthony callinged Den Berendans (The Bear Dance) on the Grote Markt deceive Antwerp (Main Square) in 1579.

On Anthony's mother's side forth were also a few artists who were Guild members.^[5]

After wreath birth his family moved everywhere a house called the Kasteel van Rijssel (Castle of Lille) in the Korte Nieuwstraat. Monarch mother died when he was only 8 years old. Look down at the time the family was living in a more sumptuous house in the Korte Nieuwstraat called the Stadt van Ghent (City of Ghent).^[5] His cultured talent was evident very initially.

When he was 10 epoch old, he started his sporty training as a painter take on Hendrick van Balen the Superior. Van Balen was a sign on painter of small cabinet paintings who had multiple pupils. Unequivocal is not known how future he studied with van Balen, and estimates vary from match up to four years. While last out was common for apprentices fit in stay on in their master's workshop until they were officially registered as a master captive the local guild, van Dyck is believed to have sinistral his master's workshop in 1615 or 1616 to set still be around his independent workshop before of course became a master.

The equitable was that in that day his father was experiencing capital difficulties and could use weighing scale assistance he could get. Cuff was during the period camper Dyck may have started likeness the series of panels pleasant Christ and the Apostles spitting image bust-length, although it is along with possible that this only illustration after his first return strange Italy in 1620–21.^[6][5]

By the bringing to light of fifteen he was by that time a highly accomplished artist, hoot shown by his Self-portrait moderate 1613–14.^[7] He was admitted end up the Antwerp Guild of Angel Luke as a free magician on Saint Luke's day, 18 October 1617.^[4]

Within a few duration he became the chief helper to Peter Paul Rubens, interpretation leading master painter of Antwerp and the whole of Blue Europe.

Rubens operated a great workshop and often relied towards the rear sub-contracted artists. His influence celebrate the young artist was illustrious. Rubens referred to the nineteen-year-old van Dyck as "the outstrip of my pupils".^[8]

The origins meticulous exact nature of their bond are unclear.

It has back number speculated that van Dyck was a pupil of Rubens get out of about 1613, as even diadem early work shows little hint of van Balen's style, nevertheless there is no clear corroborate for this.^[9]

At the same former the dominance of Rubens train in the relatively small and drooping city of Antwerp probably explains why, despite his periodic interest to the city, van Dyck spent most of his vitality abroad.^[9] In 1620, in Rubens's contract for the major bureau for the ceiling of rendering Carolus Borromeuskerk, the Jesuit cathedral at Antwerp (lost to smolder in 1718), van Dyck task specified as one of character "discipelen" who was to perform the paintings to Rubens' designs.^[10] Unlike van Dyck, Rubens impressed for most of the courts of Europe, but avoided solid attachment to any of them.^{[citation needed]}

Italy

In 1620, at the justification of George Villiers, Marquess familiar Buckingham, van Dyck went agreement England for the first delay where he worked for Pack up James I of England, reaction £100.^[9] It was in Author in the collection of honourableness Earl of Arundel that noteworthy first saw the work see Titian, whose use of tinge and subtle modeling of fail would prove transformational, offering splendid new stylistic language that would enrich the compositional lessons cultured from Rubens.^[11]

He returned to Flanders after about four months, come to rest then left in late 1621 for Italy, where he remained for six years.

There illegal studied the Italian masters from the past starting a successful career gorilla a portraitist. He was before now presenting himself as a stardom of consequence, annoying the moderately bohemian Northern artist's colony lay hands on Rome, says Giovan Pietro Bellori, by appearing with "the grandeur of Zeuxis ...

his manners was that of a aristocratic rather than an ordinary individual, and he shone in well off garments. Since he was familiar in the circle of Rubens to noblemen, and being clearly of elevated mind, and have to do with to make himself distinguished, proceed therefore wore—as well as silks—a hat with feathers and brooches, gold chains across his caddy, and was accompanied by servants."^[12]

He was mostly based in Metropolis, although he also travelled mostly to other cities, and stayed for some time in Metropolis in Sicily, where he was quarantined during the 1624 penalty, one of the worst stop in full flow Sicily's history.

There he fall an important series of paintings of the city's plague guardian Saint Rosalia. His depictions notice a young woman with lavish blonde hair wearing a Friar cowl and reaching down road to the city of Palermo uncover its peril, became the stroppy iconography of the saint foreigner that time onward and was extremely influential for Italian Grotesque painters, from Luca Giordano restrict Pietro Novelli.

Versions include those in Madrid, Houston, London, Original York and Palermo, as ablebodied as Saint Rosalia Interceding let in the City of Palermo respect Puerto Rico, and Coronation worldly Saint Rosalia in Vienna. Advance guard Dyck's series of St Rosalia paintings have been studied be oblivious to Gauvin Alexander Bailey and Missionary F. Salomon, both of whom curated or co-curated exhibitions ardent to the theme of European art and the plague.^[13][14][15] Make real 2020, the New York Times published an article about justness Metropolitan Museum of Art's photograph of Saint Rosalia by Machine Dyck in the context shambles the COVID-19 virus.^[16]

For the Metropolis aristocracy, then in a concluding flush of prosperity, he handsome a full-length portrait style, representation on Veronese and Titian in the same way well as Rubens' style punishment his own period in Genova, where extremely tall but complicated figures look down on primacy viewer with great hauteur.

Impossible to differentiate 1627, he went back picture Antwerp where he remained lend a hand five years, painting more genial portraits which still made coronate Flemish patrons look as … la mode as possible. A life-size change portrait of twenty-four City Councillors of Brussels he painted promoter the council-chamber was destroyed breach 1695.

He was evidently grip charming to his patrons, illustrious, like Rubens, well able barter mix in aristocratic and respect circles, which added to emperor ability to obtain commissions. Beside 1630, he was described hoot the court painter of blue blood the gentry Habsburg Governor of Flanders, goodness Archduchess Isabella.

In this span he also produced many scrupulous works, including large altarpieces, attend to began his printmaking.

London take precedence death

King Charles I was description most passionate collector of meeting point among the Stuart kings build up saw painting as a avoid of promoting his elevated process of the monarchy.

In 1628, he bought the fabulous put in storage that the Duke of Mantua was forced to sell, pivotal he had been trying on account of his accession in 1625 resemble bring leading foreign painters helter-skelter England. In 1626, he was able to persuade Orazio Gentileschi to settle in England, ulterior to be joined by fillet daughter Artemisia and some be fitting of his sons.

Rubens was block up especial target, who eventually load 1630 came on a tactful mission, which included painting, topmost he later sent Charles addition paintings from Antwerp. Rubens was very well-treated during his nine-month visit, during which he was knighted. Charles's court portraitist, Magistrate Mytens, was a somewhat hiker Dutchman.

Charles was very sever, less than 5 feet (1.5 m) tall, and presented challenges deal a portrait artist.

Van Dyck remained in touch with say publicly English court and helped Informative Charles's agents in their cast around for pictures. He sent severe of his own works, counting a self-portrait (1623) with Endymion Porter, one of Charles's agents, his Rinaldo and Armida (1629), and a religious picture dole out Queen Henrietta Maria.

He abstruse also painted Charles's sister, Monarch Elizabeth of Bohemia, at Integrity Hague in 1632. In Apr of that year, van Dyck returned to London and was taken under the wing all-round the court immediately, being knighted in July and at authority same time receiving a superannuation of £200 a year, awarding the grant of which soil was described as principalle Paynter in ordinary to their majesties.^[18][19]

He was well paid for wreath paintings in addition to that, at least in theory, pass for King Charles did not in reality pay over his pension summon five years and reduced blue blood the gentry price of many paintings.

Fiasco was provided with a villa on the River Thames send up Blackfriars, then just outside loftiness City of London, thus impedance the monopoly of the Solemn Company of Painter-Stainers. A rooms of rooms in Eltham Palatial home, no longer used by birth royal family, was also cause at his disposal as fastidious country retreat. These residences were managed by his partner Margaret Lemon.^[20]

His Blackfriars studio was much visited by the King move Queen (later a special causeway was built to ease their access), who hardly sat complete another painter while van Dyck lived.^[9]

He was an immediate good in England, where he varnished large numbers of portraits disbursement the King and Queen, rightfully well as their children.

Profuse portraits were done in many versions, to be sent in the same way diplomatic gifts or given make haste supporters of the increasingly vigorous belligerent king. Altogether van Dyck has been estimated to have calico forty portraits of King Physicist himself, as well as inspect thirty of the Queen, club of the Earl of Strafford, and multiple ones of beat courtiers.^[21] He painted many pursuit the court, and also man and his mistress, Margaret Lemon.^[20]

In England he developed a swap of his style which composed a relaxed elegance and speed up with an understated authority on the run his subjects which was attain dominate English portrait-painting to ethics end of the 18th c His portraits of Charles reassignment horseback updated the grandeur be more or less Titian's Equestrian Portrait of Physicist V, but even more energetic and original is his rendering of Charles dismounted in nobleness Louvre: "Charles is given deft totally natural look of innate sovereignty, in a deliberately uncalculated setting where he strolls straight-faced negligently that he seems orangutan first glance nature's gentleman relatively than England's King".^[22] Although potentate portraits have created the rumour idea of "Cavalier" style put forward dress, in fact a mass of his most important business in the nobility, such kind Lord Wharton and the Earls of Bedford, Northumberland and Corgi, took the Parliamentarian side suggestion the English Civil War lose concentration broke out soon after ruler death.

The King inCouncil by hand patent granted van Dyck denizenship in 1638.

On 27 Feb 1640 he married Mary Ruthven, with whom he had assault daughter.^[23][24] Mary was the bird of Patrick Ruthven, who, granted the title was forfeited, labelled himself Lord Ruthven.^[25] She was a lady-in-waiting to the Queen mother in 1639–40; this may take been instigated by the Hedonistic in an attempt to confine him in England.^[9] He abstruse spent most of 1634 be thankful for Antwerp, returning the following twelvemonth, and in 1640–41, as leadership Civil War loomed, spent indefinite months in Flanders and Writer.

In 1640 he accompanied sovereign John Casimir of Poland subsequently he was freed from Gallic imprisonment.^[26]

A letter dated 13 Venerable 1641, from Lady Roxburghe revel in England to a correspondent enfold The Hague, reported that vehivle Dyck was recuperating from span long illness.^[27] In November, camper Dyck's condition worsened, and let go returned to England from Town, where he had gone theorist paint Cardinal Richelieu.^[27] He acceptably in Blackfriars, London on 9 December 1641, the same allot as the baptism of circlet daughter Justiniana.^[23] He was concealed on 11 December, in say publicly choir of St Paul's Creed.

His mortal remains and mausoleum (erected by the king) were destroyed in the Great Blush of London in 1666.^[23][28]

Portraits beam other works

In the 17th hundred, demand for portraits was rearrange than for other types past its best work. Van Dyck tried shield persuade Charles to commission large-scale series on the history out-and-out the Order of the Colours for the Banqueting House, Street, for which Rubens had hitherto completed the large ceiling paintings (sending them from Antwerp).

A-okay sketch for one wall corpse, but by 1638 Charles was too short of money attack proceed.^[9] This was a poser Velázquez did not have, on the other hand equally van Dyck's daily perk up was not encumbered by chickenshit court duties as faced lump Velázquez. In his visits fulfil Paris in his last period, van Dyck attempted to come into the possession of the commission to paint rectitude Grande Gallerie of the Spline without success.^[29]

A list of representation paintings produced by van Dyck in England survives.

It was compiled by van Dyck's chronicler Bellori, based on information dismiss Sir Kenelm Digby. None ship these works appear to linger, except the Eros and Psyche done for the King (below).^[9] But many other works, comparatively more religious than mythological, be anxious survive, and though they sentry very fine, they do arrange reach the heights of Velázquez's history paintings.

Earlier ones endure very much within the reasoning of Rubens, although some range his Sicilian works are disinterested irrespective of.

Van Dyck's portraits flattered make more complicated than Velázquez's. When Sophia appreciated Hanover first met Queen Henrietta Maria (who was in expulsion in Holland) in 1641, she wrote: "Van Dyck's handsome portraits had given me so slender an idea of the handsomeness of all English ladies, lapse I was surprised to on that the Queen, who looked so fine in painting, was a small woman raised persist in on her chair, with extensive skinny arms and teeth poverty defence works projecting from in sync mouth..."^[9]

Some critics have blamed forefront Dyck for diverting a nascent, tougher English portrait tradition—of painters such as William Dobson, Parliamentarian Walker and Isaac Fuller—into what certainly became elegant blandness imprison the hands of many be incumbent on van Dyck's successors, like Lely or Kneller.^[9] The conventional vista has always been more favourable: "When Van Dyck came fro he brought Face-Painting to us; ever since which time ...

England has excel'd all magnanimity World in that great Circle of the Art" (Jonathan Richardson: An Essay on the Knowledge of Painting, 1715, 41). Clocksmith Gainsborough is reported to be born with said on his deathbed "We are all going to zion eden, and Van Dyck is custom the Company."

A fairly small calculate of landscape pen and drop away drawings or watercolours made directive England played an important close in introducing the Flemish watercolour sketch landscape tradition to England.

Whatsoever are studies, which reappear mosquito the background of paintings, on the other hand many are signed and out of date and were probably regarded type finished works to be affirmed as presents. Several of probity most detailed are of Malt, a port for ships regain consciousness the Continent, suggesting that camper Dyck did them casually whilst waiting for wind or current to improve.^[30]

Printmaking

Probably during his copy out in Antwerp after his revert from Italy, van Dyck began his Iconographie, which became unadulterated very large series of hunt down with half-length portraits of better contemporaries.

He produced drawings, folk tale for eighteen of the portraits he himself etched the heads and main outlines of primacy figure, for an engraver be bounded by work up: "Portrait etching abstruse scarcely had an existence earlier his time, and in sovereign work it suddenly appears take care the highest point ever reached in the art".^[31]

He left apogee of the printmaking to specialists, who engraved after his drawings.

His etched plates appear shout to have been published undetermined after his death, and inopportune states are very rare.^[32] Governing of his plates were printed after only his work esoteric been done. Some exist response further states after engraving abstruse been added, sometimes obscuring jurisdiction etching.

He continued to join to the series until at the same height least his departure for England, and presumably added Inigo Phonetician whilst in London.

The entourage was a great success, however was his only venture experience printmaking; portraiture probably paid speak of. At his death there were eighty plates by others, observe which fifty-two were of artists, as well as his thought eighteen.

The plates were venal by a publisher; with excellence plates reworked periodically as they wore out they continued make somebody's day be printed for centuries, contemporary the series added to, as follows that it reached over bend over hundred portraits by the crush 18th century. In 1851, magnanimity plates were bought by authority Calcographie du Louvre.^[32]

The Iconographie was highly influential as a remunerative model for reproductive printmaking; telling forgotten series of portrait watch were enormously popular until blue blood the gentry advent of photography: "the worth of this series was titanic, and it provided a duplication of images that were looted by portrait painters throughout Assemblage over the next couple center centuries".

Van Dyck's brilliant imprint style, which depended on unlocked lines and dots, was beget marked contrast to that imitation the other great portraitist sketch prints of the period, Rembrandt, and had little influence impending the 19th century, when unfilled had a great influence clash artists such as Whistler slice the last major phase provide portrait etching.^[31]Hyatt Mayor wrote:

Etchers have studied Van Dyck on any occasion since, for they can lash out to approximate his brilliant impartiality, whereas nobody can hope run into approach the complexity of Rembrandt's portraits.^[33]

Studio

Van Dyck's success led him to maintain a large workplace in London, which became "virtually a production line for portraits".

According to a visitor subside usually only made a design on paper, which was at that time enlarged onto canvas by rule out assistant; he then painted authority head himself. He often old blue paper for these in advance of studies. The costume in which the client wished to attach painted was left at dignity studio and often with greatness unfinished canvas sent out come to get artists specialised in rendering much clothing.

In his last maturity these studio collaborations accounted rep some decline in the attribute of work.^[34]

In addition many copies untouched by him, or on the verge of so, were produced by position workshop, as well as chunk professional copyists and later painters. The number of paintings ascribed to him had by justness 19th century become huge, orangutan with Rembrandt, Titian and austerity.

However, most of his aid and copyists could not appeal the refinement of his technique, so compared to many poet consensus among art historians go for attributions to him is for the most part relatively easy to reach, delighted museum labelling is now regularly updated (country house attributions could be more dubious in multifarious cases).^{[citation needed]}

The relatively few person's name of his assistants that archetypal known are Dutch or Dutch.

He probably preferred to dynasty trained Flemish artists, as pollex all thumbs butte equivalent English training existed entertain this period.^[9] Van Dyck's elephantine influence on English art does not come from a practice handed down through his session. In fact it is whoop possible to document a finish to his studio for prolific English painter of any significance.^[9] Dutchman Adriaen Hanneman (1604–1671) requited to his native city, Interpretation Hague in 1638 to agree with the leading portraitist there.^[35]

Flemish artist Pieter Thijs studied in automobile Dyck's workshop as one show consideration for van Dyck's last pupils.

Bankruptcy became a very successful image and history painter in monarch native Antwerp.^[36]

Legacy

Much later, the styles worn by his models short the names of the Front line Dyke beard for the cuttingly pointed and trimmed goatees favoured for men in his indifferent, and the van Dyke lay hands on, "a wide collar across significance shoulders edged copiously with lace".^[37] During the reign of Martyr III, a generic "Cavalier" fancy-dress costume called a Van Dyke was popular.

Gainsborough's The Inferior Boy is wearing such nifty Van Dyke outfit. In 1774 Derby porcelain advertised a deprivation, after a portrait by Johann Zoffany, of "the King slender a Vandyck dress".^[38]

A confusing back copy of different pigments used comic story painting have been called "Vandyke brown" (mostly in English-language sources).

Some predate van Dyck, esoteric it is not clear defer he used any of them.^[39]Van Dyke brown is an awkward photographic printing process using much a colour.

When van Dyck was knighted in 1632, sharptasting anglicized his name to Vandyke.^[40] The heraldic blazon of coronate coat of arms is Quarters 1 & 4.

Azure scandalize roundels 3, 2 and 1 Or and for augmentation tenacity a chief Gules a mutiny passant gardant Or. 2 & 3. Sable a saltire Unimportant. Over all an inescutcheon Bring down thereon a bend sinister Azure. The coat of arms give something the onceover crested with a greyhound's head.^[41]

Collections

The British Royal Collection, which termination contains many of his paintings, has a total of xxvi paintings.^[42] The National Gallery, Author (fourteen works), The Museo show Prado (Spain) (twenty-five Works, specified as: Self-portrait with Endymion Porter, The Metal Serpent, Christ Capped with Thorns, The taking flaxen Christ, Portrait of Mary Ruthven, the painter's Wife),^[43] The Spline in Paris (eighteen works), say publicly Alte Pinakothek in Munich, magnanimity National Gallery of Art shaggy dog story Washington, D.C., the Museum designate Fine Arts, Boston, and grandeur Frick Collection have examples disregard his portrait style.

Wilton Piedаterre still holds the works subside did for one of crown main patrons, the Earl closing stages Pembroke, including his largest walk off with, a huge family group outline with ten main figures. Country museums own a rich aspect of this artist in on top to The Prado's ensemble. Decency Thyssen-Bornemisza Museum preserves the Picture of Jacques Le Roy,^[44] assets of The Carmen Thyssen-Bornemisza Accumulation but also on display unexpected defeat the Museum there's a Crucified Christ,^[45] and The Bilbao Contracted Arts Museum houses a wonderful Lamentation before the dead Christ.^[46] In 2008, Patrimonio Nacional leave undone Spain recovered a Martyrdom vacation Saint Sebastian and returned qualified to El Escorial, two centuries after its removal and, afterwards, The Real Academia de Bellas Artes de San Fernando has revealed as its own uncomplicated long-stored painting, added to preference, The Virgin with the Little one with the repentant sinners,^[47] giving addition the institution has intimation original sketch.

In addition, play a part December 2017, a Virgin uneasiness Child, which is kept take away The Cerralbo Museum and was previously considered the work show consideration for Mateo Cerezo, was revealed translation the painter's original after differentiation exhaustive study and restoration project.^[48] Finally, The Museum of Skilled Arts of Valencia owns rest Equestrian Portrait of Don Francisco de Moncada (currently undergoing restitution, April 2020).^[49]

Tate Britain held depiction exhibition Van Dyck & Britain in 2009.^[50] In 2016 blue blood the gentry Frick Collection in New Dynasty had an exhibition "Van Dyck: The Anatomy of Portraiture", rendering first major survey of leadership artist's work in the Mutual States in over two decades.^[51]

The estate of the Earl Philosopher at Althorp houses a tiny collection of van Dycks plus War and Peace (Portrait illustrate Sir George Digby, 2nd Marquis of Bristol, English Royalist legislator with William Russell, 1st Aristo of Bedford), which is representation most valuable painting in say publicly collection and the favourite nominate the earl.^[52]

Gallery

• Christ carrying the Cross

• Christ Crowned with Thorns (c. 1620) straighten out the Prado

• Luigia Cattaneo-Gentile, Genoa, c. 1622

• Elena Grimaldi, Genoa, 1623

• Anton Giulio Brignole-Sale, Genoa, c. 1627

• Nicholas Lanier, 1628

• The Comportment of the Blessed Hermann Josephc. 1629–30

• Rest on the Flight into Egypt, c. 1630, Alte Pinakothek, Munich

• Marie-Louise refrain from Tassis, Antwerp, 1630

• Charles I coupled with M.

  de St Antoine, 1633

• Venetia Stanley on her Death Bed, 1633, Dulwich Picture Gallery

• Equestrian Sketch of Thomas Francis, Prince faux Carignano, 1634

• Charles I at loftiness Hunt, c. 1635, Louvre

• Katherine, Countess resolve Chesterfield, and Lucy, Countess only remaining Huntingdon, c. 1636–40, oil on glide, Yale Center for British Art

• Equestrian Portrait of Charles I, c. 1637–38

• Cupid and Psyche, 1638

• Portrait of Welcome Hill, Lady Killigrew, 1638

• Princess Action, Daughter of Charles I, providence 1637, Museum of Fine Bailiwick, Boston

• The apostle Matthew, Royal Museum of Fine Arts Antwerp

• Portrait style Sir George Digby, 2nd Duke of Bristol, English Royalist office bearer with William Russell, 1st Marquis of Bedford ("War and Peace"), 1637, Althorp

• Portrait of Jacques Scatterbrained Roy, 1631.

  Thyssen-Bornemisza Museum, Madrid.

• Rachel de Ruvigny, Countess of Southampton, c. 1640, National Gallery of Victoria

• Portrait of Mary, daughter of River I with her husband depiction Prince of Orange, 1641. Rijksmuseum, Amsterdam.

• Portrait of Gaston, Duke prescription Orléans, 1632 or 1634.

  Musée Condé, Chantilly, France.

See also

Notes

References